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“Jackie and I started together,” she said. Then the whole Asian world knew my face.” “Lady Kung Fu,” along with “Lady Whirlwind,” also in 1972, established her nicknames. Her first prominent role was “Hapkido,” or “Lady Kung Fu,” in 1972. He searched for a female actress with the same charisma and talent as Bruce Lee, and he found Angela Mao.” “He said, ‘That’s not true: I do.’ And Raymond Chow was right. “Everyone told him, ‘No one wants to see a woman on the screen,’” Mr. Among his early coups were signing Bruce Lee - and discovering Angela Mao. Chow was considered one of Asian cinema’s revolutionaries for founding the competing studio, Golden Harvest, which is credited with helping bring martial arts cinema to the West. The dominant studio in Hong Kong at the time was Shaw Brothers, which produced dozens of formulaic action films per year. “I have to thank God and Raymond Chow,” she said.
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Mao generally described her life as a case of being in the right place at the right time, she did display a rare moment of tenderness at this point. Her break came when the Hong Kong producer Raymond Chow discovered her in an opera. Moments later, she dispatched her son to tend to a customer she noticed from the corner of her eye. Mao snapped, “I was never anybody’s ‘jade vase.’” She shifted in her seat. “To be honest, the money was just better in movies,” she said. In her 20s, she moved to Hong Kong, where a thriving film industry was based, but she was hardly romantic about it. She also studied martial arts, specifically hapkido, rising to the level of black belt - a prowess that later distinguished her from other action stars, who merely choreographed their fight scenes. Like her siblings, she started training for the opera at a young age, taking voice lessons when she was 5. She was born Mao Ching Ying in 1950 and grew up in Taiwan, the third of eight children, to a family of entertainers for the Peking Opera House. … Lady Kung Fu: the unbreakable China Doll who gives you the licking of your life.” The narrator for an American trailer of her 1972 film “Hapkido” declares: “Watch out for the pigtail that whips you up and wipes you out. Mao’s career coincided with the over-the-top, often impolitic exploitation era in film. “A lot of people saw her films as feminist statements the same way as Pam Grier films.” “She basically had one act, which was going from an obedient character to a machine-like avenger,” he added. Mao’s movies on triple bills at Times Square grindhouse theaters in the 1970s.
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Hoberman, a longtime movie critic who now writes about video for The New York Times. “She was the first female kung fu star - name above title,” said J.